Kamis, 26 Februari 2015

[I463.Ebook] Get Free Ebook MASH Goes to Las Vegas, by Richard Hooker, William E. Butterworth

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MASH Goes to Las Vegas, by Richard Hooker, William E. Butterworth

Book by Richard Hooker, William E. Butterworth

  • Sales Rank: #340679 in Books
  • Brand: Brand: Pocket
  • Published on: 1975-12-01
  • Number of items: 1
  • Binding: Paperback
  • 239 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

3 of 5 people found the following review helpful.
Richard Hooker... SURE he wrote it.
By Craig Gustafson
After "MASH" & "MASH Goes to Maine," Richard Hooker "took on a collaborator", William E. Butterworth, for a series of "MASH Goes to..." books.
The first two MASH books are basically collections of short stories with a very loose structure. The Butterworth books are sitcom novels... and not very good ones.
After the Butterworth series was played out, Hooker released "MASH Mania," which was a loosely structured series of short stories about the Swampmen in middle-age -- a rock-ribbed Republican middle-age, in fact, amazing though that may be to fans of the TV series, which Hooker hated. Although this book has politics opposite to my own, it's still funny and more importantly, Hooker WROTE IT.
From the completely different writing styles involved, I'd say that if Hooker ever even SAW what Butterworth wrote, it was to say, "Yeah, ok. I'll approve that."
I like Hooker's writing; so I felt rather manipulated by the Butterworth MASH books, which to my mind are Hooker's in name only.

0 of 0 people found the following review helpful.
MASH FAN
By BJAYS
MY HUSBAND HAS ALL THE MASH GOES TO BOOKS. HE LOVES THIS SERIES AND WHEN THEY WEAR OUT I HAVE TO ORDER NEW ONES TO KEEP HIS COLLECTION IN TACK.

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Minggu, 08 Februari 2015

[M955.Ebook] Download Ebook The Lean Primer: Solutions for the Job Shop, by Roger Kremer, Tom Fabrizio, Don Tapping

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The Lean Primer: Solutions for the Job Shop, by Roger Kremer, Tom Fabrizio, Don Tapping

The Lean Primer will allow you to train the organization to understand how critical the implementation of Lean principles and processes are to your short and long term success. It will provide the various reasons why an organization must go Lean, as well as detailing what Lean is. Lean will be explained in the terms of Stabilize, Flow, and Sustain with reference to the following topics of lean vision, waste, value stream mapping, 5S, takt time, buffer and safety stock, continuous flow, standard work, quick changeover, kanban, visual controls, mistake-proofing, leveling, paced withdrawal, visual production control, runners, TPM, and kaizen. Each of these tools will also be explained with digital photos from world-class shops from across the US that shared their best practices.

  • Sales Rank: #1035788 in Books
  • Published on: 2005-05-10
  • Released on: 2005-05-10
  • Number of items: 1
  • Binding: Paperback
  • 96 pages

Review
All my managers and supervisors read The Lean Primer. We are finally all on the same page regarding Lean! --Joe Normandy, General Manager, Hammond Manufacturing and Assembly, Inc.

Excellent! This book provided excellent examples, with simple explanations. A great reference! --Bill Hubbard, Plant Manager, Erie Products, Inc.

The Lean Primer gave me insight into which Lean tools would assist us the most in our cost reduction initiatives. --Raymond Page, VP Operations, GAP Manufacturing, Inc.

About the Author
Roger Kremer is a degreed engineer from The Ohio State Unversity. Roger has been implementing Lean (and its predessor TQM) for over 30 years, with 25 years with Eaton Corporation. Roger served on the Lean Council for Eaton Corporation providing valuable insight into corporate wide Lean initiatives. Roger shares his experiences, expertise, and insights in The Lean Primer. Tom Fabrizio has been implementing Lean Systems for more than twenty years. His original Lean training was by leading experts in improvement technologies, including Dr. Shigeo Shingo (co-architect of the Toyota Production System), Dr. Ryuji Fukuda, and experts from Japan Institute of Plant Maintenance. After leaving Productivity in the mid-1990s, Tom co-founded the Healthcare Coalition, whose purpose it was to implement Lean in the medical industry, especially in hospitals and clinics. He later founded Lean Manufacturing Tools. Tom has extensive experience in applying Lean in emergency rooms, operating rooms, patient care facilities, administrative processes, and inventory control. Tom holds an engineering degree from Tufts University, a Masters Degree in Education from Northeastern University, and a Law Degree from England School of Law.

Most helpful customer reviews

4 of 4 people found the following review helpful.
PRIMarily Lean on Job Shop
By JMag
This book lives up to its Primer status. It does a great job of covering the basics of lean. What it doesn't do well is provide solutions for JOB SHOPS. If you are looking for a book to assist in implementing lean in a custom manufacturing shop, this book does not fit the bill--despite its title. If you want to learn the very basics about lean, then definitely order this book.

8 of 9 people found the following review helpful.
LEAN BASICS WITH GREAT EXAMPLES
By S. rodriguez
THE LEAN PRIMER fills a void in the plethera of Lean books in the market. The simple explanation of Lean tools, as well as the actual plant examples, allow you to see these tools in action. What I really like about this book is the photos from shops that you can tell are in the midst of implementing Lean. No staged photos here in this book! Great job in making the bridge from all the other books on the tools and concepts to actual demonstrating it through examples.

2 of 2 people found the following review helpful.
A Good Fundamental and Simple Explanation of Lean Tools
By Rochelle R. Stafford
The Lean Primer has basic definitions of the major Lean tools. What is unique and why I purchased this book was for the actual photos throughout. The photos provide implementation ideas. Great set of photos for real-time Lean implementation. It is not a long book, but it does cover the basics, as stated, a primer!

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Minggu, 01 Februari 2015

[X829.Ebook] PDF Download Her Last Chance, by Michele Albert

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Her Last Chance, by Michele Albert

Avalon operative Claudia Cruz and the darkly intense FBI agent Vincent DeLuca clash in a battle of wills while chasing down the same art thief. Determined to apprehend the elusive criminal before Claudia does, Vince can’t help but admire her smarts and ruthlessness. For Claudia, the undeniable spark between them starts out as a fun game, and she flirts with Vince just to push his buttons. But then the dangerously handsome agent begins to steal her heart...and she soon finds herself in bed with the aggravating man. Suddenly the thief turns the tables on his hunters and they must rely on one another to stay alive—and in the process, discover what’s most important to them.

  • Brand: Albert, Michele
  • Published on: 2013-06-01
  • Released on: 2013-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .90" w x 5.00" l, .0 pounds
  • Binding: Paperback
  • 368 pages

From Booklist
Vincent DeLuca and Claudia Cruz are both after the same thief, someone who stole a priceless antique, a Greek Corinthian bronze helmet. The problem is, they’re from different organizations, and interagency cooperation doesn’t seem to be in either of their repertoires. Vincent, a special agent in the FBI’s art theft program, will stoop to anything to get Claudia out of the picture, including arresting her for carrying a concealed weapon. Ex-cop Claudia, now an investigator for the elite Avalon group, isn’t above using a few dirty tricks herself. The battle of the sexes takes on a whole new meaning as Claudia and Vincent redefine “hot pursuit.” This will appeal to anyone who likes sexy, sassy, and suspenseful romance. --Shelley Mosley

About the Author
Michele Albert is the author of One Way Out (available from Pocket Books), Off Limits, and Getting Her Man, which was nominated for Best Mainstream Novel by Romantic Times, who praised it as "sexy, sassy, and exciting" romantic suspense. She holds a degree in classical archaeology from the University of Michigan, and pursued the field until switching gears to become a full-time novelist. She lives in Wisconsin with her husband and children.

Excerpt. � Reprinted by permission. All rights reserved.
Chapter One

Monday afternoon, Philadelphia

The sharp click of high heels on Champion and Stone’s plank flooring was his first warning that she’d arrived, but Vincent DeLuca knew it was her before he turned to look, before she spoke, before her heavy floral perfume invaded every pore of his skin. He knew because a rush of hot lust swept over him at the exact same moment hairs prickled along his arms and the flesh between his shoulder blades crawled.

Only one woman had ever had such an effect on him.

Vincent stepped back into the main room to face her, since ignoring Claudia Cruz wasn’t an option. Everything about her dominated and demanded, and her sinuous strut kicked him into a sensory overload of breasts and hips straining the seams of a red suit, brassy curls, cinnamon-red lipstick so glossy it looked as if she’d just licked her lips, and cold black eyes that met his almost on the level.

“Special Agent DeLuca.” Even her voice, low and a little raspy, sent mixed signals of sweet and rough. “I knew I’d find you here.”

Here being the wrap-up of his investigation at an art gallery in Philadelphia’s tourist-heavy Old City. He’d unlocked the door a few moments ago to admit a FedEx driver, and she must’ve been outside, watching and waiting for an opportunity to slither inside.

At this point, however, she couldn’t cause any trouble. Or at least no more than usual.

“Not surprising, Ms. Cruz,” Vincent said. “I’m usually at work when I’m working.”

“And hard at work, I’m sure,” she murmured, smiling, then trailed a manicured red fingernail down his tie.

The unexpected touch startled him so much that he didn’t even think to push her hand away. The rest of him responded quickly, though; his belly tensed before her finger had reached halfway to his belt buckle.

Just as he narrowed his eyes, she stepped out of reach, a humorless smile still curving her lips. “Has anyone ever told you that you’re a walking, talking clich�, Mr. FBI Man? Tall, dark, and ever so grim; the black suit and tie; that steely-jawed look, and the stick-up-the-ass posture—it’s all—”

“What are you doing here?” His sharp tone made the detective filling out forms by the cash register glance up.

“As if you have to ask.” Her gaze moved past Vincent’s shoulder to the nearest gallery annex, and she frowned slightly. “Hmmm, is that the manager? It looks like she’s been crying. I hope she’s not having hysterics, because I’m not too handy with hysterical women.”

“That would require compassion, and compassion isn’t high on your boss’s list of job skills when he hires people like you.”

Claudia sent him another slow, maddening smile. “Oh, now, Vincent. You make it sound so . . . ugly.”

Her hair was longer than when he’d first met her four months ago, with the loose corkscrew curls styled in an artful disarray, as if she’d just been fucked on an office conference table.

Vincent squelched that thought—and its accompanying visuals—and moved between Claudia and the others, blocking both the curious detective and the gallery manager. Lowering his voice, he said, “Ugly about covers it. And every time you shove your way in where you don’t belong, I get more determined to take you down.”

“Take me down where?” She feigned innocence. “I’m not that kind of girl, you know.”

“Yank my chain one time too many, Ms. Cruz, and you’ll find out. This is the third time I’ve warned you and your kind to keep clear of my investigations, and it’s the last.”

Something sparked in those dark, assessing eyes, and it wasn’t fear or shame or anything remotely remorseful. “Big talk, no action. Ain’t that just like a Fed?”

For a moment longer, she held his gaze. When he raised a brow and shrugged, she turned her back and headed toward the manager. The detective—a competent, fiftyish man named Matherson who had pale eyes and thinning brown hair—followed the swing of hips in that tight skirt. Vincent couldn’t blame the guy; he’d never managed to look away, either.

After joining Vincent, Matherson leaned over and whispered, “Who the hell is that?”

Vincent didn’t reply, since any answer would require a long explanation. The investigation was over for now, and as fun as it would be to sic Matherson on Claudia Cruz and watch the fur fly, it still wouldn’t be half as entertaining as watching the woman in action.

“Did you hear what I—Vince? You feeling all right?”

Vincent took a deep breath, then ran a hand through his hair, wiping away the perspiration along his upper lip with his sleeve as he did so. “Yeah, I’m good. Just a fever I can’t shake.”

“Maybe you should see a doctor about it,” Matherson said in all seriousness.

“Maybe,” Vincent agreed, holding back a smile.

Against a backdrop of expensive paintings, Arnetta Gallagher stood beside an empty display case off the main entryway, only a fraction calmer than when Vincent had arrived. As Claudia touched her arm Arnetta visibly relaxed, assuming she was in the presence of a sympathetic female, an ally.

People were so gullible.

“I had this cousin once who couldn’t get rid of a cold.” Matherson’s voice broke across Vincent’s thoughts. “And then one day he dropped dead.”

Vincent finally looked away from Claudia. “Thanks for the advice, but this isn’t the kind of fever that’ll kill me.”

Unless a bad case of blue balls suddenly turned fatal. But after four months of dealing with this woman shadowing his thoughts and prowling through his dreams, he doubted the problem could get much worse.

“I hear your day got off to a bad start.” Claudia’s voice was warm with false concern, and Vincent, brows arched, slipped his hands in his pockets and settled back to watch the show.

Arnetta let out a shaky sigh, then dabbed her mascara-smudged eyes. She was a stately, gray-haired woman who’d worked for Champion and Stone for twenty years, and, as she’d repeatedly told Vincent, nothing like this had ever, ever happened to her before.

“I can’t believe this,” Arnetta said. “Nothing like this has ever, ever happened before. It was there last night, and this morning it was gone and that toy left in its place. No alarms, nothing on the cameras—it’s as if they slipped in like ghosts!”

Claudia gave Arnetta another comforting pat on the shoulder of her impeccably tailored tan suit. “I hope it’s not too fragile.”

“Oh, God, the bronze is so very delicate. . . . You can’t cart around something that’s twenty-five hundred years old like it’s part of some Halloween costume. And to make matters worse, it’s the only Corinthian helmet we’ve had in stock for over four years. Ms. Stone is going to be simply furious!”

“It’s hardly your fault,” Claudia said, soothingly. “I’m sure you’ve done nothing wrong.”

She was fishing for information, but carefully enough that Arnetta would never realize it. Claudia had gambled that talking with Vincent first—even playing up their hostile familiarity—would validate her presence.

The gamble paid off: anger, bewilderment, then worry crossed Arnetta’s face before she said, a shade defensively, “I checked over the inventory before I left last night, activated the alarms, and locked up like I always do. I have absolutely no idea how they got inside!”

Claudia’s gaze darted toward Vincent, then away again when she verified he wasn’t making any move to stop her. He had no intention of doing so; he’d had enough experience with this woman, and others like her, to know that he had to pick his battles.

She danced at the very edge of his last nerve, and as much as he wanted to believe he tolerated her intrusions because he was biding his time and waiting for the right moment to strike, it wasn’t his only reason.

“Maybe Mr. DeLuca will find something useful on the security data.” Claudia paused. “Providing he remembered to take the recordings into evidence.”

“Oh, he did. He’s a very thorough young man.”

“I never doubted it,” Claudia said mildly, glancing back at Vincent again and giving a little shrug, as if to say, “Oh, well, I had to ask.”

As if he’d let her walk out the door with evidence. Still, her response—and the faint irritation underlying it—almost made him laugh.

Another fifteen minutes passed as Claudia produced more supportive comments designed to prompt Arnetta to spill her guts. Once Claudia had determined that she’d milked the situation for all it was worth—and that Arnetta would be of no real help—she smoothly disengaged and headed back his way, hips swinging, a small smile curving her mouth again.

At her approach, Vincent asked, “Did you get what you wanted, Ms. Cruz?”

“For the most part, Special Agent DeLuca,” she answered, matching his mocking, exaggerated politeness. “If I need a little something more, though, I’ll be sure to come find you.”

As she headed toward the door, Claudia gave Matherson a polite nod, and the detective frowned. Good instincts: the man knew a carnivorous interloper when he saw one, despite a breathtaking distraction of breasts and hips.

Vincent should’ve just let her walk out the door, but allowing her the last word galled him too much.

“Nice suit there, Ms. Cruz, and I noticed the classy makeup. I thought you people were supposed to downplay your presence.”

Matherson opened his mouth to speak, then snapped it shut at Vincent’s warning glance.

Claudia turned, and if the dig had offended her, it didn’t show. “We people are given a broad range to work with, but the sensitive jobs usually go to the sensible, boring guys like Tiernay.”

Vince rubbed the stubble along his jaw. “That would be the sensible, boring guy who blew up a factory and a couple people outside Boston a few months ago, right?”

“I wouldn’t know anything about that,” Claudia said demurely.

“Of course not.” She’d been there, though. Vincent had checked into the situation—as best he could with the Boston cop who’d dodged his more pointed questions.

“It’s been great talking with you, Mr. FBI Man, but I gotta go. You have a lot of paperwork to do now, right? Me, I’m off to catch a thief, seeing as how I don’t got to deal with all that bureaucratic stuff.”

He’d noticed that whenever she was feeling cocky, the barrio came out more clearly in her voice—and her comeback jab put them at a stalemate. Again.

“Give it your best shot,” Vincent said. “I’ll be watching to see if you can deliver, or if you’re all flash and no substance.”

Suspicion flared, then narrow-eyed annoyance. Then she blew him a kiss and walked out, heels clicking and a little extra swish in those hips.

Heat rolled over him, and he let out his breath, hoping no one noticed he’d been holding it in the first place.

“Who’s that young woman?” Arnetta demanded. “Isn’t she one of your people?”

Vincent imagined her reaction if he told her the truth: “That young woman is the human equivalent of a shark. She works for a soulless sonofabitch who thinks he’s above the law because he’s stinking rich and has powerful friends all around the world. He owns a travel agency that’s just a cover for a bunch of mercenaries who also think they can run roughshod over every law in every country. Only these days they call themselves private contractors, not mercenaries.”

Instead, he said, “Nope.”

“Oh.” She blinked. “Somebody about the insurance, then?”

The woman’s distress and confusion radiated off her in waves, pricking his conscience. His day had been lousy, but hers had been much worse, so why was he being such an ass?

“No. She’s what you might call a freelancer in art theft recovery.”

Arnetta Gallagher wasn’t stupid, and every line of her body stiffened with anger. “Then she shouldn’t have been here. Why did—You should’ve stopped her!”

“From doing what, Ms. Gallagher? Listening to you talk? She never once asked you a question. Technically, she’s not interfering.”

Not enough for him to waste valuable time by causing a situation that would end in another reprimand. He’d discovered the hard way that Cruz might be a handful, but her boss’s lawyers posed far more trouble.

“I’m already going to have to explain to Mr. Champion and Ms. Stone that their prized Greek Corinthian helmet has been stolen from under the noses of a senior employee and one of the best security companies in Philadelphia.” Anger sharpened Arnetta’s soft, refined voice. “I hope you had a very good reason for your actions, and that this woman’s presence won’t cause me any further trouble.”

“It won’t.” Not for Arnetta; for himself, he couldn’t be so sure.

“So why didn’t you stop her at the door?” the gallery manager demanded. “You’re a federal law enforcement agent. You have the authority.”

Matherson’s frown deepened, but he kept his mouth shut.

“It’s nothing you need to worry about. She’s on your side. Solving specialized crimes like this often takes a cooperative effort from many investigators, including those in the private sector.”

It sounded good, big words and all, and more dignified than explaining the FBI sometimes had to deal with the devil it knew in order to catch the devil it didn’t.

Guilt pricked again, and he added gently, “Look, it’s been a rough day for you and we’re done here. You should have a cup of tea or something before locking up. Try to relax. We’ll be in touch if we have any more questions, and we’ll keep you posted if anything turns up. That’s about all we can do right now.”

Arnetta nodded, then reluctantly moved away, still looking a bit lost and frantic. Vincent supposed that if he’d had a chunk of bronze worth nearly two hundred grand disappear on his watch, he’d be a little green around the edges, too.

Once Arnetta was out of earshot, Matherson cleared his throat. “Okay, I’m not sure what just happened here, but that hot little number in red wasn’t someone you know?”

“I know her.”

The detective shot him a look of exasperation. “But she wasn’t authorized personnel.”

Matherson had no reason to know about Avalon, Claudia’s employer, and he was better off remaining ignorant. People who knew too much occasionally ended up dead. Or simply disappeared. “Somebody’s contracted her services. That’s all the authorization she needs.”

“So she’s like a private investigator?”

“You could call it that.”

Annoyance flaring, Matherson asked, “So why did you really let her walk in here and do whatever the fuck she wanted?”

Vincent shrugged. “Because I’ve got nothing to work with. She’s not one of us, so she doesn’t have to operate like us. Maybe she’ll get lucky—and when she does, I will.”

“Ah-hah.” Matherson drew out the word, nodding in understanding. “You’re tailing her.”

“There’s no place her sweet ass goes that I don’t hear about it. So that’s the plan.”

Or half of it; the other half was that he wanted to catch this woman in an illegal act—anything would do, no matter how petty—so he could make an example out of her. That high-handed bastard in Seattle needed to learn an important lesson: no one was above the law, not even the obscenely rich and powerful.

Next to catching this annoying little shit of a thief he’d been chasing up and down the East Coast for months, there was nothing Vincent wanted more than a chance—just one chance—to show Avalon they could no longer ignore the FBI.

Her floral scent still lingered, bringing to mind warm skin and lush female curves, a mouth in wet red lipstick and hair he could grab in both fists.

He blocked the image. Nope, there was nothing more that he wanted. And if he repeated it often enough, he might even start believing it.

� 2010 MICHELE ALBERT

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3 of 3 people found the following review helpful.
Book two in the Avalon series
By Cheryl Koch
Former Dallas police officer Claudia Cruz has gained a bad rap. She shot and killed an unarmed rapist. Claudia is now part of an elite organization known as Avalon. It is composed of skilled individuals including mercenaries whose mission is to recover stolen artwork.

FBI agent Vincent DeLuca is teamed up with Claudia. Vincent doesn't trust Claudia. In fact he even has her locked up. If Vincent wants to play games...Two can play. Claudia has a few tricks up her sleeves. Things quickly heat up between Claudia and Vincent.

Her Last Chance is book two in the Avalon series. It can be read and enjoyed as a stand alone novel. The zinging banter between Claudia and Vincent was good four play leading up to some really hot sex scenes. I thought that the romance involving Claudia and Vincent was balanced out really nicely with the rest of the story. Because there was such good dynamics with Claudia and Vincent and the story line was appealing, it made reading this book a breeze. Make this your chance to try Her Last Chance by Michele Albert.

1 of 1 people found the following review helpful.
Hot! Hot! Hot!
By Wendy L. Hines
Claudia Cruz used to be a Dallas police officer, until she shot and killed a rapist. Wanting a career change, she takes a position with Avalon, an elite organization of mercenaries who recover stolen art.

Vincent DeLuca works for the FBI, but also with an organization that recovers stolen art. When he and Claudia end up working the same case, Vincent is determined that the FBI won't be thwarted by the Avalon team.

Claudia doesn't mind using her wiles to get what she wants, but Vincent gives as good as he gets. The heat sizzles between the two, and they soon find themselves closer than they ever thought. Are they willing to put their hearts on the line?

Her Last Chance is a romantic mystery with great characters and dialogue. There are some laugh-out-loud moments as well as some hot and sizzling interludes. Hot! Hot! Hot! Michele Albert pens a passionate and suspenseful tale that romance lovers are sure to enjoy.

1 of 1 people found the following review helpful.
Her Last Chance Book two in the Avalon series
By Amazon Customer (April Renn/AprilR )
HER LAST CHANCE by Michele Albert is a romance/suspense story set in Philadephia. It is book two in the Avalon series but can be read as a stand alone. It is well written with depth and detail. It is fast paced and a page turner. It has sweet sensuality, romance, suspense, mystery and intrigue. The main characters are strong and witty, one is an FBI agent with an elite group formed to help retrieve stolen artwork. The other is a mercenary type agent hired by an elite group who also helps in retrieving stolen artwork. They make a amazing team although at first they are at odds, but then things heat up between them. The secondary characters help keep the story moving. There are more than one story going on, This is a must read. I would recommend this book especially if you enjoy mystery, romance, sparks flying everywhere and a really good read. This book was received for review.

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[J721.Ebook] PDF Download Delivered from the Elements of the World: Atonement, Justification, Mission, by Peter J. Leithart

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Delivered from the Elements of the World: Atonement, Justification, Mission, by Peter J. Leithart

In Delivered from the Elements of the World Peter Leithart reframes Anselm's question, "Why the God Man?" Instead he asks, "How can the death and resurrection of a Jewish rabbi of the first century . . . be the decisive event in the history of humanity, the hinge and crux and crossroads for everything?" With the question reframed for the wide screen, Leithart pursues the cultural and public settings and consequences of the cross and resurrection. He writes, "I hope to show that atonement theology must be social theory if it is going to have any coherence, relevance or comprehensibility at all." There are no small thoughts or cramped plot lines in this vision of the deep-down things of cross and culture. While much is recognizable as biblical theology projected along Pauline vectors, Leithart marshals a stunning array of discourse to crack open one of the big questions of Christian theology. This is a book on the atonement that eludes conventional categories, prods our theological imaginations and is sure to spark conversation and debate.

  • Sales Rank: #421180 in Books
  • Brand: InterVarsity Press
  • Published on: 2016-04-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .93" w x 6.00" l, .55 pounds
  • Binding: Paperback
  • 368 pages

Review
"Peter Leithart is one of our best and most creative theologians. In this wide-ranging book Leithart shows that doctrine is not some abstract entity disconnected from contemporary life but is in fact deeply relevant and pregnant with social and political insights. Leithart is biblically, theologically and culturally literate―a rare combination―and thus able to produce the sort of work we so badly need today. Attending to the doctrines of the atonement and justification, he writes in the best tradition of apologetics, namely that of creative, orthodox, contextual theology." (Craig Bartholomew, professor of philosophy and religion and theology, Redeemer University College)

"Among contemporary theologians, only Leithart has the biblical erudition, theological breadth and rhetorical power necessary for writing a book like this one. His Christian creativity and love for Jesus Christ jump off the page. As an account of atonement, this book is also an account of the entirety of Christian reality, and indeed of the reality of Israel as well, in light of pagan and secular cultures and in light of the church's own failures to live what Christ has given. At its heart is an urgent call for all Christians, living in the Spirit, to share the Eucharist together against every fleshly barrier and Spirit-less form of exclusion. Leithart's dazzling biblical and ecumenical manifesto merits the closest attention and engagement." (Matthew Levering, Perry Family Foundation Professor of Theology, Mundelein Seminary)

"When you read Peter Leithart, you suddenly realize how timid most Christian theologians are, tepidly offering us a few 'insights' to edify our comfort with the status quo. Leithart is like a lightning strike from a more ancient, more courageous Christian past, his flaming pen fueled by biblical acuity and scholarly rigor. In this book, he does it again―here is the City of God written afresh for our age, asking a question you didn't know to ask but now can't avoid: Why is the cross the center of human history? Couldn't God have found another way? Leithart's answer―this book―is a monumental achievement." (James K. A. Smith, professor of philosophy, Calvin College, editor, Comment magazine)

About the Author
Peter J. Leithart (PhD, University of Cambridge) is president of Theopolis Institute and an adjunct senior fellow of theology at New Saint Andrews College in Moscow, Idaho. He is the author of many books including Defending Constantine, Traces of the Trinity and Gratitude: An Intellectual History. He is a blog writer and columnist for firstthings.com, and he has published articles in many periodicals, both popular and academic. Ordained in the Communion of Reformed Evangelical Churches (CREC), Leithart pastored Reformed Heritage Presbyterian Church (now Trinity Presbyterian Church) in Birmingham, Alabama, and Trinity Reformed Church in Moscow, Idaho. He and his wife Noel have ten children and seven grandchildren.

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10 of 10 people found the following review helpful.
The Way Theology Should Be Done
By Thomas C. Hamilton
This is a model for what theology should be. Two feet firmly planted in the Christian cosmos, recognition of secularism as an alternative religious framework, not a neutral meeting ground, and a rich and thorough application of the whole Bible to understand the world. Leithart's book is focused on one principal question: What does Paul mean by the "elemental things of the world" and how is it that Christ has overcome such things? Leithart's answer is that the "elemental things of the world" are the fundamental socioreligious building blocks of the Old Creation (meaning the creation headed by Adam as contrasted with the present reality of the New Creation) focused on the reality of flesh. Leithart recognizes that the concept of the "flesh" is not Pauline idea, but a Mosaic idea which Paul takes up and expands. Adam was created as flesh, awaiting eventual glorification by the Holy Spirit. He attempted to seize glory, and the way of flesh became a way of mortality and division. God cleaned the world of flesh at the flood, but flesh kept coming back, eventually manifesting at the division of Babel.

In one sense, circumcision is just one more division of flesh from flesh, but at a deeper level, God's command that Abraham circumcise his offspring is a command that Abraham's family be set apart from flesh altogether. It is an alternative way of being. Torah itself was accomodated to flesh, but it was meant to provide a way of access to God while still living in the flesh. Every year, the priests would eat the sin offerings, thereby bearing the sins themselves. These would be placed upon the shoulders of the High Priest, and the High Priest would place it on Yahweh' throne itself on every Day of Atonement. This is what is meant when Paul discusses the intensification of Sin and Flesh within Israel in Romans 7. When we come to the time of Jesus, Torah has been co-opted to serve flesh. Whereas circumcision was a marker against the way of flesh, many Jews had taken it, ironically, as a means of boasting in the flesh, of glorying in their divisions from the Gentiles and adding divisions which Torah never intended. The Torah mandates no such thing as a court of women or court of the Gentiles. Women and Gentiles alike could offer sacrifices in the Levitical system, but in the Second Temple period that changed.

When Jesus came on the scene, He came crying out against this way of Torah which glories in the flesh, and He taught a more excellent way, one which is not even accommodated to the flesh but is all-Spirit. On the Cross, Jesus experiences what Paul calls the "Messiah's circumcision." The Word came in the likeness of sinful flesh, experiencing corruption and death, but without sin, and that flesh is cut off at the Cross. Sin was condemned in the flesh of Jesus the Messiah. Hence, both Jewish "nature" and Gentile "nature" is eradicated. The socioreligious building blocks which constituted the alternative ways of life of Jews and Gentiles are cut off in the death of Christ, and the Risen Christ constitutes one new human nature, a new way of being, not-according-to-the-flesh, but according-to-the-Spirit. This is Leithart's reading of Galatians. The Torah assumed the reality of flesh, but now flesh is dead.

Leithart applies this to look at the present religious landscape. He notes how other religions manifest the "elementary" ways of the world. Hinduism operates based on a rigorous system of distinctions between pure and impure, clean and unclean. Divisions between different groups of people are institutionalized in religious practice. But Leithart goes beyond this in noting that the accomplishment of Jesus is an objective event which has objective effects on world religions outside Christianity. Indeed, the unity of Hinduism itself is a reaction to Christianity. Judaism, while asserting that the fleshly institutions of temple and sacrifice are the permanent way for Israel, has lived for 2000 years without such institutions and regarding the people as the locus of holiness. Buddhism has been "Protestantized" with creeds, confessions, and catechisms.

But the West is a different beast, for the West is a Christian society which has committed the error of the Galatians: returning to the elemental things of the world. Leithart sees Western nationalism in this light. Christian language of personal sacrifice for the sake of the whole Body has been appropriated and mutilated so that it becomes the language of personal sacrifice for the nation. The massive budget of the Defense Department is evidence of our own reliance on flesh. The very existence of nationalism, cementing the divisions between peoples and nations, is the way of flesh. And of course, the absolute separation between Church and State is a new way of separating the pure from the impure. As much as Secularism claims to move forward in history, secularism is just a return to the childish ways of old, an attempt to go back to the way things once were before Christ recreated the world, and Christians should respond accordingly.

This is a wonderful book, rich with insight and application. Do yourself a favor and read it.

0 of 0 people found the following review helpful.
Perhaps the best part of this book is the deliberate and patient ...
By Robert Locklear
Perhaps the best part of this book is the deliberate and patient pace Dr. Leithart takes as he builds his argument for the meaning of Pauls words in Galatians 4 and 5. The content is excellent and, while quite substantive, I've not felt 'in the dark' at any point. He is a true teacher and I'm excited about the journey as I continue to work my way through this book.

2 of 3 people found the following review helpful.
How Christ changed the social physics of the world...
By Brett A. Bonecutter
How do you offer superlative praise without seeming hyperbolic? That is the real challenge of this review. I remember reading that the late Francis Schaeffer was most grateful for a particular compliment along the lines of, "Your teaching will help me to worship God better." And if the same dynamic holds true for Peter Leithart, I would only modify it by saying, "Your teaching will help us all to glorify and enjoy God better." (Hard-core Reformed types will appreciate the irony.)

There is a sense in which the message of the Bible and the cross is simple. "Christ Jesus came into the world to save sinners...". But that simplicity is matched by deep historical-theological context and vast theological-practical implications. From the most basic questions about how this salvation works to who and what it impacts, the Gospel is rich in wisdom and complexity. And unfortunately, that is where we often lose the beautiful aim of the Gospel - which is to unite us together into the life of the Triune God.

Peter Leithart offers a remedy for this problem by reframing old lines of intramural dispute. By showing us the "social physics" inherent in the Bible - and in the Apostle Paul, he gives us a thoroughly Biblical and fresh way to put the puzzle pieces of atonement, justification, and mission together. Leithart shows how the crucifixion and resurrection of the Son of God delivered all men from the "elements of the world" and ushered in a new era of the Spirit. And in doing so, he leads us back in the direction of Gospel unity and fruitfulness and away from the "Galatianal" divisions of the "flesh."

The great irony is that attempts at facilitating theological-missional unity by recasting disputed issues are almost always provocative. It will absolutely provoke those with entrenched paradigms that define their tribes. But my prayer and hope is that even the most die-hard theological tribalist will follow the exegetical argument. Allow the Bible to lead the way as Leithart so elegantly does. Watch how a few adjustments in approach and perspective bring light and the possibility of unity in the Spirit.

I have read a lot of theological books and it would be no exaggeration to say that this may be the most important book of all. I can say that because it is the one book that so plainly aims at Christ's aim of Gospel unity (John 17). And this book hits its mark. It is a profound blessing and I am sure it will help many people to better glorify and enjoy God... together.

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